As a coloured pencil artist, I adore the endless possibilities that come with layering. There’s something so satisfying about building up rich, velvety tones with each careful stroke.
Watercolour pencils offer a taste of that layering joy, but there’s a catch. Have you ever noticed how adding another layer can sometimes disturb the pigment below? One moment you’re layering, and the next you’re making a right mess as the new colour mixes with the old.
Now, let me introduce you to Inktense pencils (affiliate link) by Derwent. Unlike traditional watercolour pencils, these use water-soluble ink. Once activated and dried, the ink becomes permanent. You can layer away to your heart’s content without muddying the waters.
But—and isn’t there always a but?—you must ensure the ink is fully activated. Even a tiny dry dot can reactivate with the next wash, potentially wreaking havoc on your work.
Patience is essential. Wait until each layer is bone dry before adding more ink. Rushing on damp paper causes unwanted bleeding and blending. I've learned this the hard way!
This doesn't mean wet-in-wet techniques are off-limits. In fact, blending while wet creates stunning soft gradients and unexpected colour mixes. Just remember, once you’re happy with the effect, let that layer dry completely before working on top of it.
Here’s the funny part: I had a tin of Inktense pencils sitting in my studio for ages before I finally gave them a go.
I’d heard about their intense, bright colours, which put me off. I mainly paint landscapes and animals—not subjects known for neon hues.
One day, I finally experimented. I immediately regretted not trying them sooner!
The colours are vibrant, but I discovered they could be beautifully toned down. By mixing pigment with plenty of water, often on a palette, I achieved soft, natural hues.
In other words, those intense colours were more versatile than I’d initially given them credit for. With a few careful layers, a bit of blending, and plenty of drying time, suddenly these pencils found their place in my landscape and wildlife work.
One of the most exciting discoveries I made with Inktense pencils is that they can be used on fabric, including delicate materials like silk! The permanent ink adheres beautifully, opening up a world of textile art possibilities.
My first project was a nativity scene on silk for a Christmas card. The vibrant colours and smooth silk allowed for lovely blends and fine details.
When it comes to choosing fabrics, natural fibres like silk, cotton, and linen work best. I always prefer to pre-wash in case of shrinkage.
To begin, I tape my fabric down on my light pad and trace the outlines using a water-soluble graphite pencil or the Derwent Inktense outliner pencil (included in your tin), which creates crisp lines that don't disolve.
Choosing the right paper makes a world of difference when working with Inktense pencils. Since these pencils transform into vibrant, water-soluble ink, your paper needs to handle moisture well. Here are some options:
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Avoid thin sketch paper, printer paper, and low-quality watercolour paper.
Tape down lighter-weight papers. Always test first. I enjoy the texture of Khadi or NOT paper, but have to ensure all the pigment is activated, as it can get trapped in the paper's tooth.
To turn your drawing into a painting you will need an assortment of brushes.
Your brush choice influences pigment activation, spread, and blending. Here are some brush types to consider along with tips on when to use them:
Mixing Derwent Inktense pencils on a palette offers greater control over colour intensity and subtle variations, especially for soft washes and custom colours.
Using the Caran d'Ache palette to mix Sherbert Lemon and Amethyst pencils
Dip your brush in clean water and touch it to the pigment on the palette. Swirl gently until the pigment dissolves and forms a puddle of ink.
Adjust the water level to control the intensity:
If you’ve been eyeing that tin of Inktense pencils with suspicion—or just avoiding them because you think they’re too intense—it might be time to give them a whirl.
Yes, they’re called _Inktense_ for a reason, but with a splash of water (and a bit of patience), you can tame those colours into subtle, natural tones perfect for your landscapes or wildlife.
They’re more versatile than they look, and you might just wonder why you didn’t try them sooner. So go on, dig them out and have a play.
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