Welcome to my deep dive into Hahnemühle Velour Pastel Paper, a truly distinctive surface in the world of pastel art!
My curiosity about velour paper was sparked by a childhood memory: two vibrant oil paintings on black velvet hung in my parents’ living room—a dramatic mountain scene and a colorful bird, perhaps a kingfisher or peacock.
The way the colors glowed against the plush surface left a lasting impression. I hoped velour paper might capture some of that magic for pastel pencils.
As I discovered, Hahnemühle Velour offers a different kind of beauty. Pastel pigments sink into its soft, flocked texture, creating a diffused, dreamy effect unlike the luminous pop of oil on velvet.
In this review, I’ll share my hands-on experience with Hahnemühle Velour (260gsm), tested with Cretacolor pastel pencils and Faber-Castell Polychromos.
You’ll find:
My aim is to give you a clear picture of what it's like to work on this specialist surface, helping you decide if it's something you'd like to try for your own pastel pencil art.
Let's feel the softness!
Hahnemühle Velour stands apart from traditional grained or sanded pastel papers. Its soft, velvety surface, available in various colors, feels luxurious at 260gsm.
Here’s how it performed with pastel and colored pencils.
Working on Velour required some adjustment.
With Cretacolor pastel pencils, gentle straight strokes worked best for initial layers; small circular strokes built color too quickly.
Once I found the rhythm, I created a soft gradient with five layers, and the paper seemed capable of taking more as pigment settled into the fibers.
Ruled lines were even but inherently soft-edged.
Finger blending, however, was ineffective—the velour fibers hold pigment firmly in place.
Faber-Castell Polychromos layered beautifully, with up to seven layers forming a smooth gradient, but colors appeared paler than on harder surfaces, requiring extra effort for intensity.
Ruled lines mirrored the pastel pencils’ soft, even quality.
A standout feature: the paper’s softness caused no wear on pencil tips for either medium, a significant advantage.
Polychromos layered surprisingly well, but the muted colors and loss of crisp detail make Velour less ideal for traditional colored pencil techniques.
It shines for soft, atmospheric effects if you’re willing to build color patiently.
Hahnemühle Velour is a specialist surface that rewards a light touch with stunningly soft, diffused effects.
It’s incredibly kind to pencil tips and excels at creating gradients and atmospheric textures. However, it’s not suited for crisp details, sharp lines, or vibrant, immediate color.
Traditional blending techniques also need rethinking - layering is key.
For subjects like delicate fur or dreamy scenes, Velour is magical. For projects needing definition or bold color, it may frustrate. My test swatches, despite a clear photo, capture the paper’s inherent softness in every mark.
Verdict: A unique, lovely paper for soft-focus pastel pencil effects. It demands patience and an embrace of its limitations, but for the right subject, it’s enchanting.
Hahnemühle Velour Pastel Paper occupies a special niche. Its velvety pile is unmatched for gentleness on pencils and creating soft, layered gradients.
It’s perfect for subjects that thrive on softness but requires adaptation for blending and building color intensity. If you’re drawn to its distinctive effects, like I was, and have a gentle subject in mind, Velour is worth exploring.
Thank you for joining me in this closer look at Hahnemühle Velour. May your own paper explorations lead you to surfaces that perfectly match your artistic vision!
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