Have you ever admired a colored pencil drawing that seemed to glow, with colors so smooth and blended they looked almost photographic?
You might wonder how artists achieve that seamless, professional finish, where individual pencil strokes vanish, leaving behind rich, vibrant hues.
The secret often lies in a technique called burnishing colored pencil.
What if you could transform your own colored pencil artwork from good to genuinely breathtaking?
Burnishing makes it possible.
It isn't just about blending; it's about fundamentally changing the texture and appearance of your colored pencil layers, creating a luminous, polished effect that makes subjects like shiny apples, gleaming metal, or sparkling glass look incredibly realistic.
This comprehensive guide will walk you through everything you need to know about burnishing colored pencil:
(Quick Note: Burnishing builds upon solid layering. If you're completely new to layering, you might want to check out our foundational guide on layering colored pencils first to get the basics down.)
At its core, burnishing colored pencil is an advanced blending technique.
It involves applying layers of colored pencil pigment and then using a specialized tool, a hard-point colorless blender, or even a light-colored pencil with firm pressure to meld these layers together.
Think of it like polishing a surface. You're essentially grinding and compressing the wax or oil-based pigment from your pencils down into the tooth (the texture) of the paper. This process achieves several key things:
This technique is particularly effective for rendering smooth, non-porous surfaces like glass, polished metal, ripe fruit skins, or ceramics.
It signifies a 'finished' look, sealing the layers and giving the artwork a professional polish.
However, it's important to note that once an area is heavily burnished, it becomes difficult (sometimes impossible) to add more layers of color on top, as the paper's tooth is filled and the pigment will no longer stick.
The tool you choose for burnishing can subtly alter the final effect. While you don't necessarily need expensive specialty items to start, understanding the options helps you achieve your desired look.
In a test comparing the Derwent Burnisher and Lyra Splender on Faber Castell Polychromos (oil-based) and Derwent Artist (wax-based) pencils over Hot Pressed watercolor paper we found:
Resist Effect:
Both tools, when applied before color, created a resist by indenting the paper and applying clear wax, letting underlying marks show through a single color layer.
Burnishing:
White Pencil Comparison:
Using a white pencil for burnishing resulted in a distinctly lighter, less intense color compared to the dedicated colorless tools, confirming its tinting effect.
Which tool is best? It depends on your pencils (wax vs. oil), your paper, the desired effect (subtle blend vs. high gloss), and personal preference. Experimentation is key! Starting with a colorless blender pencil is often a good middle ground.
Ready to try it? Here’s a reliable method for achieving that beautiful, burnished finish.
Pro Tip: Keep your burnishing pencil tip relatively clean to avoid transferring unwanted pigment. Wipe it on scrap paper occasionally. A slightly blunt tip often works better than a sharp one for covering areas smoothly.
Let's visualize the process. I used:
Initial Light Layers: Starting with your lightest value, light strokes establish the sphere's shape and basic shading. The paper grain is clearly visible. This maps out the form.
Building Color and Form: More layers are added, to enhance the 3D effect. Still applied relatively lightly, but building pigment. I used light ochres and browns here.
Introducing More Colors: New hues (oranges and yellows in my example) are layered using a blunt pencil, adding complexity and richness while reinforcing existing layers. There's now a solid foundation of wax pigment.
The Burnishing Magic: A strong yellow/orange layer is applied over the entire shape with heavy pressure using a blunt pencil tip. This acts as both a color layer and the burnishing agent. Notice how:
Final touches are added to define the deepest shadows and perhaps subtle highlights.
Refinement: Resist the temptation to overwork it - a common challenge once you start burnishing.
Successful burnishing involves navigating a few potential challenges:
This is a cloudy, white film that can appear on heavily layered wax-based pencil work, especially after burnishing.
Our guide on managing wax bloom offers more in-depth solutions.
Burnishing works best on sturdy paper with a moderate amount of tooth.
Too smooth: Papers like Bristol Board (smooth plate finish) have less tooth to grip the initial layers, making it harder to build up enough pigment before burnishing. Burnishing might just smear the pigment around.
Too Rough: Very textured paper (like rough watercolor paper) requires a lot of pigment and pressure to fill the deep valleys, which can be tiring and lead to a less uniform finish.
Good Choices: Hot-pressed watercolor paper, Stonehenge paper, good quality drawing or cartridge paper (like in the example) often strike a good balance. Experiment to find your favorite!
While you can burnish with most colored pencils, softer wax-based pencils generally burnish more easily and effectively due to their higher wax content and binder softness.
Excellent Choices: Prismacolor Premier, Derwent Coloursoft, Caran d'Ache Luminance.
Oil-Based Pencils (e.g., Faber-Castell Polychromos, Lyra Rembrandt Polycolor): Can still be burnished, but may require more layers and pressure. The finish might be slightly less glossy and more satin. A harder burnisher tool often works well with these.
Burnish colors that are analogous (next to each other on the color wheel) or part of a planned blend.
Trying to aggressively burnish complementary colors (like red and green) without careful layering can result in dull, muddy tones. Layer cleanly before burnishing.
Don't burnish if you want to retain a textured look (like animal fur, rough wood, fabric weaves) or if you anticipate adding many more layers or details later. Burnishing is often one of the final steps.
Let's address some frequent queries:
What exactly is burnishing in colored pencil?
It's a technique using firm pressure with a blending tool or light pencil to smooth, blend, and compress colored pencil layers, creating a seamless, polished, often glossy finish by filling the paper's tooth.
Can I burnish without special tools like colorless blenders?
Yes! You can use a white or very pale-colored pencil from your set. Be mindful it will slightly lighten the area. You can also sometimes burnish by applying heavy pressure with a light-colored pencil that's already part of your desired blend (like the yellow/orange in the sphere example). Even a tortillon or paper stump can achieve some blending, though it's technically not burnishing in the same way (it smooths by rubbing, not compressing wax).
How do I avoid lightening my colors too much when burnishing?
Use a dedicated colorless blender or burnisher pencil instead of a white/pale pencil. These are made of binder without pigment. Alternatively, ensure you have very rich, saturated layers of color down before burnishing, so any slight lightening from a white pencil is less noticeable.
How can I fix mistakes after burnishing?
Fixing mistakes post-burnishing is difficult because the paper tooth is filled and sealed. Minor adjustments might be possible with a very sharp pencil of a darker color applied with heavy pressure. Sometimes, carefully lifting pigment with sticky tack/poster putty might work slightly, but don't expect miracles. Major changes usually aren't feasible. Prevention (careful layering before burnishing) is the best strategy.
Burnishing colored pencil is more than just a technique; it's a pathway to achieving a level of realism and polish that can truly elevate your artwork. By compressing pigments and smoothing textures, you create drawings that look sophisticated, vibrant, and complete.
We've covered what burnishing is, the tools you can use (from simple white pencils to specialized blenders and burnishers), a step-by-step guide, and tips for tackling challenges like wax bloom. Remember that practice and experimentation with different tools, papers, and pencils are key to acheiving success.
Adding techniques like burnishing to your artistic toolkit not only improves your art but can also enhance its marketability if you're building an online art business. High-quality finishes command attention and convey professionalism.
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