This step by step will show you how to paint water in coloured pencils. It is based on a discussion posted on our old forums (that no longer exists) and the work was painted by Daryl Cogavin.
I thought I would post the picture that I started with Peter Weatherill at Knuston Hall last weekend as a WIP (work in progress) for others to see and comment on. I am very happy to hear both positive and negative comments - its always useful to see things through other people's eyes.
This is a photo that I took many years ago, somewhere in Wales (I think) but I really can't remember where it was. I used Peter's trace down method to transfer it onto my paper (Cotman Cold Pressed watercolour paper, 190gsm). Then I used a few Caran d'Ache water soluble pencils to lightly map out the tree areas, making up some 'paint' by scraping the colour from the pencil and mixing it with water to make a light wash.
Next I changed over to Prismacolors to start putting in some of the darkest areas. I find this works well for me, to get the darkest areas in first, as I tend to be a bit cautious with colour otherwise and end up having to go over everything again because it lacks depth and contrast. By putting in the very dark areas first I can then see where I can have my mid tones and my lightest areas.
At this point I was keen to start working on the area that I felt least confident about and I wanted Peter's guidance on how to paint water. The weekend was ticking away but Peter insisted that I should get more of the background and surrounding rocks and foliage in place before I started on the water. So I did as you can see (he was quite right really).
Daryl is beautiful! Looks like you have made an excellent start on it, and I will be interested to see how you tackle the water.
Thank you Lisa!
I'm going to be interested in how to paint water too! But luckily Peter will be here hopefully to help me along. When I look carefully at the reference all I can see is a mind boggling swirl of colours and my brain has not yet worked out how to translate that into marks on paper. I know that I need to keep it random and not try to replicate ever precise little shape, but I'm finding it very hard at the moment.
The approach I usually take with water - especially fast moving or tumbling water like this - is to look loosely at the colours and patterns in the reference photo. In this case, perhaps you might enlarge the tumbling water area of the reference photo to the point where the image starts to pixelate (break up into little boxes of colour). At that stage, come back a step or two and look at the colours closely as they swirl. This may give you the break you need to find the method of how to paint water that suits you.
My own approach is to take a set of very sharp pencils in closely related colours and apply small curving marks that 'squirm' on the paper. I think it might be easier to demonstrate than explain, so give me a little time and I will see if I can post an example here.
This quick sketch may get you going in the right direction.
I have taken a group of warm greys from the Polychromos box and added the universal cure for all ills - Polychromos Green Gold - to the set with Ivory. The choice for you will need to be matched to the colours available in the brand you are using. See the sample here and tell me if this gets you started. No guarantees, of course!
Actually the green gold has come out a bit bright in the photo - must be down to the bright sunshine outside the window (or the glare off the snow!)
Oh, thank you for taking the time to do that, Peter, it looks like just the kind of recipe that I need. I don't have time to give it a go now as I have a sackful of school work to do, but roll on next weekend and I'll give it a go.
This is looking fabulous so far, Daryl. Fascinating as well as I want to learn how to paint water also.
Thank you for the tips, Peter, its very helpful!
Hey Daryl! Love this picture and your progress! I can see I will learn a lot here just by watching. Its looking wonderful so far, keep up the good work!
Thanks Nancy. School finished yesterday for a two week break so I managed to get a bit more done today. I’ll get another picture on tomorrow when its daylight. Next Wednesday we have an appraisal evening at my art group when Jean Canter is coming to give a critique of our work. I'd like to get this finished to hear what she has to say about it. She's a past president of the SGFA and a member of the UKCPS. A google image search will show the kind of work she does. She does some amazing miniatures amongst other things, often of scenes in the Surrey countryside near where I live.
Your'e right, Daryl, Jean has done some fabulous work! I especially love her piece called "The Thames at Remenham". The way she renders skies and water is just incredible.
I made a bit of progress yesterday, but I am still finding it hard working out what colours to put where, and I can only manage short sessions at a time. It is getting a bit easier though. Here's yesterday's photo...
and a closer shot.
I'm done as far as covering all the paper, but now it needs tweaking so I'd really appreciate any comments, particularly about anything that jumps out as not quite right.
As usual my photo looks a bit blue. Bear in mind that the paper is actually white. I don't know if I need a better camera or just better skills.
Hi Daryl, looking good! A lovely picture.
Firstly, I think that you need to decide what sort of an image you are looking for in the completed work. The picture 'as is' is a super version of the original photo in a light, fantasy way. As I said originally when you were working an early stage, I can image a Unicorn coming out from behind that tree to drink from the steam.
Now fr the weasel word ... however...
If we compare the original photo side by side with the image to date we can see that it lacks something.
I think that to get more light into that foam on the water, e need to get more dark into the shadowy, deeper water, certainly the water in the foreground, as that will give us the essential threshold to step over and into your world. I know that there are a lot of very dark shadows in the photo, and we don't need to go anywhere near as dark as they are.
We do need to punch up the lights in the focal area of the picture (the line of the stream) so I suggest that you consider darkening that foreground water with warm greys, punch in some darker areas to the rocks and foliage around the edges, BUT leave the lovely light in the background for now! I think that may not need touching but you can reconsider that once the contrasts in the focal area have been attended to. Shame, I know, when you thought you were nearly finished!!
If you like that airy feel the picture has at the moment then I wouldn't argue with signing it off as done. If you feel, as I do, that it could do with a little more punch, then take the shadows slowly and reconsider at regular intervals.
I hope that helps, Daryl. As I said at the beginning, it is a lovely picture and you are certainly learning how to paint water! Cheers, Peter.
Thanks Peter, that is very useful to see them side by side like that. I have spent a bit of time darkening and strengthening a few areas, particularly the foreground water, the mossy rock on the bottom left corner and some of the other rocks.
I'm happier with the water but still not happy with the dark speckled tree leaves top right. Jean Canter also focussed on that tree not being right, but said the water was ok. I'm planning to take a lot of bluetac and an electric eraser to it when I get a minute. I think its too solid (needs some specks of light on the leaves) and also is maybe the wrong green compared to everything else.
I did some serious erasing on the tree then used some different greens to darken it but leaving more light patches than before. I think it looks better now.
This scan was done on the school photocopier so it is much better colour than my camera photos.
I like it a lot, Daryl. Jean Canter was right about the tree and the leaves, and I think your efforts at introducing a more random effect to the leaf cover have worked. For myself, I would have gone for more areas of dark in the leaves overhead, where the overlap is more dense, but you (and I) can always find excuses to fiddle.
I suggest that you put the picture to one side and glance at it from time to time as you walk through the room. After a day or so you will either stop worrying and sign it off, or make a firm decision to make a change. The important thing is not to be too hasty.
I think it still looks a bit yellow overall, so I might just glaze it over with some bluer greens in places. But overall I have loved tackling how to paint water.
My husband tracked down the original photo of this on his computer and remembered that it was taken in Ireland near Glendalogh (not Wales as I thought). I put is in the browser at the end of the art group exhibition last week and it was sold!